From as early as I can remember, I've been fascinated by science and the supernatural. I guess it was the bookcases of my parents and relatives that stoked my imagination as a child. From books about mysteries of the universe, to stories of fairies, nymphs and banshees, all asked questions that I longed to know the answers to. It’s a habit I've maintained throughout my life, always investigating, always challenging my beliefs. I like to think this has given me the skills to write a good, fantasy story. While I create worlds, characters, and rules of magic based on a logic that’s believable, as the world my characters live in is very real to them.
The moment I first opened The Lord of the Rings and saw the map, I was hooked. I was fourteen and needed a place to escape at the time, and Middle Earth was exactly where I wanted to be. Tolkien made a fantasy world feel so real that I took every step with Frodo and Sam. His words created the world in my head, and I spent many an hour at school daydreaming about what would happen next on the quest. I’ve read it at least eight times through my life, and at each reading I identify with a different character as I grow older. I’ve moved from Sam, through Aragorn to Gandalf. I just hope I don’t identify as Gollum on next reading!
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
Clarke is the master of the sci-fi short stories in my view, and this collection is a great example of his genius. My dog-eared paperback is over forty years old, and I pick it up often for both nostalgic and professional reasons. With evocative titles such as "The Nine Billion Names of God," "No Morning After," and "If I Forget Thee, Oh Earth," these stories were just what my young, curious mind needed. In just a few pages, Clarke had an amazing ability to pull you into the world of the character and make you care. Both my children have read and enjoyed this book. Brilliant collection.
Oddly, this is a book I both love and hate at different stages of the story. It was the first title I brought from a book club, and the first I read after Tolkien. Obviously, there are similarities, but I loved the idea that someone from our world could be drawn into a fantasy world. Donaldson’s main character, Covenant, is not easy to like following that controversial scene early in the book. But Donaldson’s style kept me engaged—even when Covenant became extremely annoying and I found myself yelling at him to ‘stop your whining and get on with it!’ But the excellent world-building, a clever magic system, and intriguing supporting characters make this book very readable and one I have read a number of times. But while I’m still not 100% sure about it, I wouldn’t be parted from my old copy.
'Comparable to Tolkien at his best' WASHINGTON POST
Instantly recognised as a modern fantasy classic, Stephen Donaldson's uniquely imaginative and complex THE CHRONICLES OF THOMAS COVENANT, THE UNBELIEVER became a bestselling literary phenomenon that transformed the genre.
Lying unconscious after an accident, writer Thomas Covenant awakes in the Land - a strange, beautiful world locked in constant conflict between good and evil.
But Covenant, too, has been transformed: weak, angry, and alone in our world, he now holds powers beyond imagining and is greeted as a saviour. Can this man truly become the hero the Land requires?
I first read Wyndham when staying at my grandmothers aged eleven during a long summer holiday. I devoured the books left there by my uncle, and Chocky was the one that ‘blew my mind’. The main character was a similar age to me at the time, and the thought that an alien could inhabit his mind was both scary and fascinating. I imagined what I would do if an alien had chosen me, and what I would do with the superpowers it might bring. I was halfway through writing my first book in 2010 when I suddenly realised it was this book that provided the inspiration—now that’s a sign of a good book. I re-read Chocky for the first time last year and found it evoked the memories of my late grandmother and my summers back in the 70s.
Matthew, they thought, was just going through a phase of talking to himself. And, like many parents, they waited for him to get over it, but it started to get worse. Mathew's conversations with himself grew more and more intense - it was like listening to one end of a telephone conversation while someone argued, cajoled and reasoned with another person you couldn't hear. Then Matthew started doing things he couldn't do before, like counting in binary-code mathematics. So he told them about Chocky - the person who lived in his head.
I picked this up in a bookshop due to the cover as it stirred my curiosity. And when I read the first line, "I had reached the age of six hundred and fifty miles," I found myself walking to the cashier to buy it. This is quite an unusual premise by a quite unusual and versatile writer. It breaks a number of rules by switching from first to third person, but I found it worked. I found myself constantly trying to guess what was happening, and where it was going. That may not sound like a recommendation, but I found I couldn’t put it down without knowing why. And when the last chapter delivers the big twist, I turned back to page one and started it all over again! It then becomes a different book and is still enjoyable.
Featured in Science Fiction: The Best 100 Novels Winner of the British Science Fiction Award Nominated for the Hugo Award
The “devilishly entertaining” masterpiece of hard science fiction, set in a city moving through a strange, dystopian world—from the multi-award-winning author of The Prestige (Time Out New York)
The city is winched along tracks through a devastated land full of hostile tribes. Rails must be freshly laid ahead of the city and carefully removed in its wake. Rivers and mountains present nearly insurmountable challenges to the ingenuity of the city’s engineers. But if the city does not move, it will…
It's a traditional epic fantasy with a mystery element. Yes, there is the good verses evil, a magic system that can be as dangerous to those who wield the power as those it's used against, but not all is what it seems. And when a shocking discovery is made following a tragic act of treachery, old loyalties and beliefs are challenged, bringing the Five Realms to the brink of defeat.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.
Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.
A vision that Dru will one day defeat the Koth is enough to keep…
